famous tenor singers

Finding encomia for Björling’s vocal artistry is about as difficult as finding grains of sand on a beach, but it seems extraordinary that so much of this praise comes from his colleagues and leading musicians. He began with the usual Italian operas, primarily Verdi and Puccini, but moved back in time, the earliest of his roles being in Rameau’s Hippolyte et Aricie. After appearing at the Hollywood Bowl in 1947, Lanza signed a seven-year film contract with Louis B. Mayer, the head of Metro-Goldwyn-Mayer, who saw his performance and was impressed by his singing. “She moved effortlessly between nimble, fluttering coloratura and arching lyrical … On the down side were his frequently embarrassing engagements with pop, a tendency to lose control of his vibrato in later years, and his increasingly difficulty in sustaining long performances. In the lyric bel canto repertoire he reigned supreme, with an exquisite sense of shading, nuance and rubato, and miraculous diction which seemed to make every vowel speak. Even pushing the age of 50, Alfredo Kraus could thrill a Covent Garden audience in Verdi’s La traviata. Björling’s beautiful tone and effortless technique contributed to his reputation as a paragon of the art of singing during an illustrious international career. What an opera! Now in his eighties, Bergonzi teaches and runs a hotel in Verdi’s birthplace, Busseto. But he was also superb as Ferrando in Karl Böhm’s classic recording of Mozart’s Così fan tutte, and in the delights of Spanish zarzuela. Rudy Park . In the 1970s, when I saw him, his formerly clarion upper register was showing strain, but he compensated admirably with style and ardour. Even if the date he prefers is correct, he has preserved his voice in an extraordinarily energetic career for almost 50 years, having made his debut in 1959 in Mexico, where his family moved when he was eight. The former bank teller was swiftly engaged for Dobrowen’s classic Boris Godunov recording, and by 1953 it was snapped up by houses across Europe. Has any Siegfried conveyed such wonder at an awakening Brünnhilde? Few tenors have made so much out of relatively little as Tito Schipa. The mid 20th century in American music was dominated by Elvis Presley often referred to as "the King of Rock and Roll", while the later part of the century saw the emergence of singers like Aaliyah, Lance Bass, and Sonny Curtis. Has any brother wooed his sister so ardently and with such desperation? No other Tenor can match the quality of his ( unique Timbre) voice, musicality, acting ability(he embodies every role he plays). He nevertheless continued to perform until shortly before his death in 1957. Schreier was also one of the finest Lieder singers of his generation; his 1991 recording of Schubert’s Die schöne Müllerin is remarkable for its unforced insight. The lovely and lyrical sounds of a well-trained Irish tenor sound completely unique. He made his debut in 1913 singing Silvio in Pagliacci, but on hearing the young baritone sing a high C in Il trovatore an American colleague declared him a tenor ‘with the lid on.’ And it’s the caramel colours in Melchior’s lower register that make his voice so distinctive, together with the stamina to sing Wagner’s major tenor roles without tiring. What a part for a tenor! Battle Hymn of the Republic, The ("Mine Eyes Have Seen the Glory," words by Julia Ward Howe; music attributed to Steffe) 17. The role of Tamino, which he had recorded the year before in Berlin under the baton of Karl Böhm, framed his all-too brief career in major roles. In his own words: ‘Those to whom God has given a fine voice are also burdened with the duty of training it and caring for it.’. In his own words: ‘Gott, welch’ dunkles Bier’ (‘What dark beer’) – Windgassen on making a rapid stage exit from Beethoven’s opera Fidelio, with a stomach upset. It also features a 16-page booklet with everything you need to know about each tenor – nationality, short biography, best recording, trivia and more – in an appealing and witty design. You can unsubscribe at any time. This most difficult tenor aria to date reaches an incredible high D, whereas other singers and tenors view the famous top C as the limit of the tenor’s range. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Plácido Domingo was born in Spain, officially in 1941, but many people claim that the date should be a year or more earlier than that. The best photos of Jonas Kaufmann in OperaWorld That is my only secret.’. The Three Tenors are made up of three of the world's most famous and beloved operatic tenors which include Jose Carreras, Placido Domingo, and Luciano Pavarotti. Among the big-name opera stars and lower-key Lieder recitalists, who are the best tenors ever to have graced the stage? When Fritz Wunderlich died in a fall on a hunting vacation, just nine days before his 36th birthday in September 1966, he was at the zenith of his career as a Mozart singer. Franco Corelli inherited the mantle of Caruso and Gigli to become possibly the greatest Italian tenor of the 1950s and ’60s. In a career that lasted barely more than a decade, he gave exemplary performances of the lyric Mozart tenor roles: Belmonte in Die Entführung aus dem Serail, Ferrando in Così fan tutte and Don Ottavio in Don Giovanni. Rather limited in range and dynamic breadth, even lacking a particularly attractive vocal timbre, he still possessed the greatest gift of all – the ability to make a singing line and project it to every corner of an enraptured hall. Sergey Lemeshev and Ivan Kozlovsky, born only two years apart, divided their fans into rival groups of lemeshistki and kozlovityanki. With his dramatic presence allied to a burnished bronze tone that could ride over any orchestra, Vickers became the tenor of choice in such roles at Bayreuth, Vienna, the Met and other leading houses. Jussi Björling (1911-1960) was as close to perfection as a singer could get. It was in 1956, as a young member of the Stuttgart Opera, that he replaced an indisposed colleague, Josef Traxel, and gave notice of a peerless Mozartian, with an easy, limpid, virile timbre, an innate feeling for style and immaculate diction in his native language. His operatic career began with the role of first prisoner in Fidelio in 1959, but rapidly blossomed with work at the then East-Berlin Staatsoper, Vienna State Opera, Salzburg and Bayreuth Festivals. Tamino was the last role he sang on stage, ten years later, again with the Stuttgart ensemble, at the Edinburgh Festival barely a month before his fatal accident. Anthony Rolfe Johnson was one of the most honest singers around – about his voice, for example: ‘It’s not large, but powerful and compact, full of energy, and that’s a great weapon.’ I’d go further – his singing is virile, ardent, but there’s also immaculate musicianship, a wonderful sense of timing, that seduces the listener. He performed in Carmen as Don José. Pianist Gerald Moore commented that McCormack disliked over-rehearsing or doing retakes in the recording studio, preferring the honesty of live performance. The outstanding German lyric tenor of his generation, his life was tragically cut short as his international career was getting underway, but thanks to his many recordings his unique voice has remained unforgettable. Juan Diego Flórez radiates effortless charm, while his astonishing vocal prowess has won critical praise and popular adulation. He was at first unsure whether to concentrate on playing or singing, and despite the efforts of some of his friends, it was not until he met Britten in 1937 that he threw himself wholeheartedly into singing. 박지응5 . Best known for romantic tenor roles like Rodolfo (La bohème), Cavaradossi (Tosca), the Duke (Rigoletto), Manrico (Il trovatore), Faust, and Roméo (the latter two from Gounod’s operas), Björling occasionally performed or recorded heavier parts, and in concert his repertory also included operetta arias, Scandinavian songs and German Lieder. The new Pavarotti? His father, a baker, was a fine tenor and gave plenty of encouragement to Luciano, who was torn between music and football. He is still singing, including such demanding roles as Siegmund in Wagner’s Die Walküre, as well as in carefully selected Italian operas. On stage, he was stiff and plain: ‘I know I don’t look like Rudolph Valentino, but I have tried to learn to act through the voice.’ His mastery of breath and the colour of the words allowed him to portray hot-bloods Canio and Cavaradossi without the usual gulps and groans. Lisette Oropesa. YongHoon Lee . Rather neglected now – and suffering from deletions among his catalogue of recordings – he remains a supreme tenor aristocrat. In the words of US critic Max de Schauensee, ‘He could tell a story. Already have an account with us? After debuting as a baritone in 1948, Bergonzi’s international career as tenor took off in the 1950s, when he began long-term associations with the Metropolitan, La Scala, and Covent Garden. Sign in to manage your newsletter preferences. In vocal music, singers are typically divided into six ranges. His concert and Lieder repertoire were no less extensive and he left unsurpassed recordings of the tenor solos in Haydn’s Creation and Beethoven’s Missa Solemnis under Karajan and, above all, the tenor songs in Klemperer’s recording of Mahler’s Das Lied von der Erde, in which Wunderlich’s sappy, youthful timbre are allied to eloquent diction and freedom at the top of the voice. In his own words: ‘It must be like a ride over the Bodensee, you must do it without showing any fear.’ (Schreier speaking about the coloratura Alleluia from JS Bach’s Cantata 51). What music! He achieved international success starting in the mid-1990s, his first role being Count Almaviva in “The Barber of Seville” by Rossini in Córdoba in June 1994. Domingo is that rarest of vocal phenomena, a tenor who used his voice in the service of re-creating great art, and not as a thrilling end in itself. My parents liked Britten’s music, and I was brought up learning and loving every detail of the refinement and wit Peter Pears brought to the Folk Songs, the heroism of his St Nicholas, above all the tortured otherworldliness of Peter Grimes. His secrets were a warm, effortless technique, immaculate diction, noble bearing and an intelligence informing every aspect of his art. Stevie Wonder, Robert Plant, Luther Vandross, Michael Jackson, #69 of 739 The Best Singers of All Time#528 of 583 The Greatest Entertainers of All Time#425 of 525 Which Artist Would You Bring Back From The Dead To Write One More Song? In his own words: ‘I haven’t sung Alfredo for years. There he became Mussolini’s favourite tenor, though after the war this association was forgiven. Since the piece was a speciality of Flórez’s hero, the late Luciano Pavarotti, the ovation gave an inevitable sense of the torch being passed. One of the definitive voices of the 20th century, Enrico Caruso was that rarest of creatures: a truly great artist with a mass popular following. As an accomplished Lieder singer, he is well known for roles in operas that are certified box-office draws. Although his voice lacked the baritone resonance of other pre-War greats, his exquisite tone made him one of the most valued Wagnerian singers of his generation. Pears and Britten were together for 40 years – they began the English Opera Group and the Aldeburgh Festival, and developed an unsurpassable recital partnership. Listen to his CD In Praise of Woman (on the Helios label: CDH 55159) –  every song lit up by his unique blend of passion, tenderness and sheer beauty of voice. He made 20 films and 900 records which show an impeccable lyric tenor voice of remarkable sweetness, used with taste and imagination, though from the mid-1930s his voice deteriorated. Warmth, taste, commitment, understanding: these aren’t the first things that spring to mind when you think of a tenor, but they are when you think of Domingo. It is all tied together and his diction is very good too. Nicknamed the King of the High Cs, Pavarotti is regarded as one of the best tenors of the 20th century. Not to mention his versatility( who else sings in German,Italian& French plus his exquisite Liede artistry! His influence continues to be felt even now: listen to any great operatic  tenor – Domingo, Pavarotti – and there are certain mannerisms and turns of phrase which make you think, ‘Ah yes, that’s straight from the mouth of Caruso!’, In his own words: ‘I never step on the stage without asking myself whether I will succeed in finishing the opera.’. He stayed in New York until 1932, when he refused a pay cut due to the Depression and returned to Italy. Though his life was inexorably draw to the US, Caruso’s charm and his cheek remained distinctly Italian. For women, from highest to lowest, those are soprano, mezzo soprano and alto or contralto. Lists that rank the greatest works, composers, and musicians by instrument. Marvellous purity of tone and breathtaking virtuosity make his singing irresistible, coupled with good looks and delight in performance. Which Artist Would You Bring Back From The Dead To Write One More Song. A byword for lyrical refinement, Kraus was a perennial connoisseur’s favourite in bel canto and French repertoire. His art wasn’t just about Britten, of course – Klemperer’s St Matthew Passion recording, so unfashionable these days, is dominated (but never overwhelmed) by Pears’s Evangelist. Pavarotti’s life could almost have been the plot of a Lanza film. Panis angelicus for tenor, organ, harp, cello & bass; 13. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. Jose Carreras (1946-) Born in Barcelona, Spain, Jose Carreras has been performing since he … His Canio and Otello were terrifying, his Grimes a harrowing study in rejection, his Tristan unbearably moving. It was his gift to communicate the very essence of a text – be it Italian opera or Irish ballad – that made his appeal so universal. Do you agree with their choices? He was a workaholic and his operatic repertoire ranged from the baroque and early classical operas of Monteverdi, Handel and Gluck, to 20th-century classics such as Pfitzner’s Palestrina and JanáΩek’s The Excursions of Mr BrouΩek and contemporary works (he created parts in operas by Carl Orff and Werner Egk). For his Swedish compatriot Elisabeth Söderström, ‘listening to Björling has always been my ultimate pleasure. The Lord's Prayer; 16. Jonas Kaufmann is an operatic tenor from Germany. Nicolai Harry Gustav Gedda Ustinov possessed an elegantly lyrical sound, enhanced by polished diction. Non Ti Scordar Di Me by Ernesto de Curtis shows the tenor’s famous ‘honeyed’ tones to great advantage. Placido domingo 2 . It is Otello. In his own words: ‘At five o’clock I stop work and become a father – I don’t believe in being the star singer who just “visits” home.’. Mario del monaco4 . The operatic scene since the mid 1960s is inconceivable without him, and the gigantic treasury of opera recordings will bear witness to future generations of his greatness. But Legge could hardly have foreseen his discovery would become the most versatile and enduring tenor of the post-war years, triumphing in repertoire from the terrifying high notes of Bellini’s I Puritani to the heroics of Berlioz’s Benvenuto Cellini and Wagner’s Lohengrin, and making some 200 recordings – the last only in 2003. List of the most notable and famous tenors in the world, with photos when available. His many recordings document a remarkable consistency of vocal quality and high artistic standards. The fact remains that when you listen to Domingo, you are guaranteed a flood of gorgeous sound, sensitive musicianship, the security of a voice so well looked after that nothing will go wrong and, if you are seeing him, a decent standard of acting. Enrico Caruso (1873- 1921) Enrico Caruso opens the list of the best tenors of the XX century based … In his own words: ‘To earn my living, I played jazz music on the side. Lanza began studying to be a professional singer at the age of 16. After a successful 1914 debut in La Gioconda, he was in demand throughout Italy and by 1920 had made it to the Met, where he inherited many of Caruso’s roles following the latter’s death the next year. Soon, his partnership with Joan Sutherland led to his appearance in La fille du régiment, where his famed facility for singing high Cs was established. Bravo!’, Regina Resnik claimed that a concert-opening performance of the ‘Ingemisco’ from Verdi’s Requiem at the Albert Hall ‘was probably one of the most beautifully sung five minutes that I have ever, ever heard in my life. Coming late to opera – after qualifying as an industrial engineer in his native Spain – he rose to stardom opposite Maria Callas and Joan Sutherland, making a Metropolitan debut in 1966 as the Duke in Verdi’s Rigoletto. While his voice was not big enough to sing Calaf in Puccini’s Turandot in a … The celebrities on this list share on thing: They all perform regularly at the Vienna Opera House. At Bayreuth he sang major tenor roles and was the Siegfried in Solti’s 1960s recording of the Ring for Decca. 이용훈3 . Many of the rock 'n roll heavyweights owe a debt to Elvis Presley, but Elvis himself owed a debt to the R&B, gospel and country singers who influenced him. But you know something? Peter Pears Sir Peter Neville Luard Pears (PEERZ; 22 June 1910 – 3 April 1986) was an English tenor. A self-confessed workaholic, he also conducts opera, and is in charge of the Washington National Opera and the Los Angeles Opera, jobs which involve an immense amount of fund-raising. Over the years his growing bulk and the developing imperfections in his voice hampered his opera appearances, and in 1992 he was booed at La Scala when, as Don Carlos, he cracked a note. He would hold high notes far beyond their written worth (12 seconds in the great cry of ‘Vittoria!’ during a Covent Garden Tosca, for instance), and some critics made a point of disapproving of what they regarded as ‘cheap effects’. A heroic tenor of unique authority and complexity, Vickers stamped his individual approach on a series of portrayals that aspired to a spiritual level. The Most Trustworthy Celebrities in the World, The (Male) Singer You Most Wish You Could Sound Like. He was found guilty of pinching a lady’s bottom, but claimed that a monkey had done it. But lately, we've been inundated with the polished sheen of the "official" Irish Tenors.Here's a look at some other Irish tenors, artists from the '30s and '40s who paved the way for today's artists. He has also sung a few contemporary operas, but only ones written in a fairly traditional idiom. Mario Lanza (US: , Italian: [ˈlantsa]; born Alfredo Arnold Cocozza [koˈkɔttsa]; January 31, 1921 – October 7, 1959) was an American tenor of Italian ancestry, and an actor and Hollywood film star of the late 1940s and the 1950s. In the early 2010s, he transitioned from the tenor repertory into almost exclusively baritone parts, most notably Simon Boccanegra. Quite apart from that, he was of course one of the Three Tenors, and has recorded Christmas albums and discs of popular Italian and Spanish songs. After the death of Caruso in 1921, Count John McCormack was to become the next tenor superstar – his record sales even outstripping those of Caruso’s. He could paint pictures.’, In his own words: ‘I like to go jumping about in my life, as the whim takes me. In his own words: When you’re feeling relaxed and comfortable, you’re feeling what you’re singing. By entering your details, you are agreeing to Classical Music terms and conditions and privacy policy. In 1952, Walter Legge auditioned a young Swedish tenor, and cabled his contacts, ‘Just heard the greatest Mozart singer in my life: his name is Nicolai Gedda’. Amazon.com. Bach, (it … It was his audition for Covent Garden in 1957 that pushed the Canadian Jon Vickers onto the scene. Read on to discover about the life and works of famous American singers. Caruso’s voice had its flaws: he was never entirely comfortable at the very top of his range. For many aficionados, he lacked the depth of Domingo, but his common touch, his large-scale open-air concerts, including the legendary 1991 occasion before the Prince and Princess of Wales when he persuaded most of the crowd to furl their umbrellas despite rain, his adept mixture of great operatic arias with much-loved Neapolitan ballads and his relatively restrained acting earned him the love and admiration of large numbers of the public. Gigli was the leading Italian tenor of the inter-war years, blessed with a honeyed tone and easy manner that made him ‘the people’s singer’. Caruso is one of the earliest great singers whose voice remains alive to us today through his recordings. List features people like Francesco Albanese and Thomas Spencer-Wortley. In his own words: ‘I have one favourite role. He made his debut at the age of 22, and never looked back since. A Heldentenor in a new, lighter mould, Windgassen dominated the Wagnerian stage in the post-war era. For men, the ranges from highest to lowest are tenor, baritone or second tenor and bass. Save when you subscribe today and get your magazine + CD delivered direct to your door from the UK! The elegance of his style made him ideal in Donizetti and Bellini, and later on he specialised in Massenet, particularly the role of Werther. Melchior was born in Copenhagen in 1890 on the same day as Gigli. During the course of this enormous career he has always looked for new roles to challenge him, and has recorded over a hundred, performing an impressive proportion of those on stage. Opera was, of course, his main focus, but throughout his more than 250 recordings, mostly released as 78s by the Victor Talking Machine Co., he encompassed most musical genres from Verdi, Bizet and Puccini (his contemporary) to Neapolitan song and pop music, one of his best sellers was ‘Over There’, a jaunty song for the US army in World War I. Even yet, there has never been another voice equal to his.’ Arturo Toscanini – not notorious for admiring singers – exclaimed: ‘What a beautiful voice and what fine singing, all on the breath, a perfect technique. While valued chiefly for Mozartean roles, such as Belmonte and Tamino, he maintained his love of the Bach. modern public relations. He also just had the romantic edge over his rival in his signature role, the poet Lensky in Tchaikovsky’s Eugene Onegin, a part he sang over 500 times; there is touching film footage of the two men sharing a specially reworded version of the Act I aria as a birthday tribute to Chekhov’s widow, Olga Knipper, and both tenors can be compared on screen in Lensky’s celebrated lament. The combination of being tall, dark and handsome and in possession of a superlative tenor voice is rare in the opera world, but Corelli had it all (his nickname, of ‘golden thighs’ gives a measure of his sex appeal). Although famed for his Wagnerian roles, Windgassen made his debut in 1941 as Don Alvaro in La forza del destino. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years. The Very Best of the Irish Tenors 1999 - 2002. Sarah Brightman is an English classical crossover soprano singer, actress, songwriter and dancer with a big following… Click here to subscribe to BBC Music Magazine, An interview with choreographer Matthew Bourne, 5 facts about composer Bernd Alois Zimmermann. A global superstar, he became a fully-fledged matinee idol in America, which even forgave his fascist sympathies during World War II. He stole the show at the Last Night of the 2016 BBC Proms, inspiring the same rapture there as he has at opera houses worldwide. They’re the ones who usually get to play the agile, athletic hero while the poor old bass gets cast as the big, brooding baddy. His Siegfried in the famous Decca Ring is unforgettable for its strength and fragility. This 2CD album brings together ten of the most famous tenors, performing nearly 50 of the greatest arias of all time. Which have displayed the greatest power, range, grace and flexibility? Consequently, he was booked for Sunday Night at the London Palladium, the gem of ITV’s weekend schedule. It’s easy to see why. Find album reviews, stream songs, credits and award information for The Famous Tenors - The Three Tenors on AllMusic - 2004 And that’s the most beautiful moment, because the audience can feel what you’re really feeling.’. Prior to that, the adult Lanza had sung only two performances of an opera. Enrico Caruso (1873-1921) One of the definitive voices of the 20th century, Enrico Caruso was that … In his own words: ‘Whenever an artist takes his eyes off the ultimate… from what I would call “the Eternal”, then he diminishes himself, and the quality of his art is thereby diminished.’. It’s inevitable that he has been criticised for giving a standardised account of many roles – but then it’s hard to see how individual you could be in many of Verdi’s less famous works. About. This article was first published in April 2008. Perhaps the most refined of the post-war lighter tenors, Peter Schreier is valued for the conviction of his operatic roles, his sincerity in religious music and intelligence in Lieder. In his own words: ‘Regard your voice as capital in the bank. In a career spanning over 40 years, McCormack sang and recorded opera, oratorio, Lieder, popular songs and folk song from his native Ireland. 2002 Ellis Island In 1924 Melchior sang at the first post-war Bayreuth Festival and that same year triumphed in London as Siegmund in Die Walküre. If some hardcore opera buffs had doubts, the general public felt Pavarotti deserved the mantle of Gigli, Caruso, Tauber and Lanza as the greatest, most popular tenor. His career among the very first to be built on that unholy, and thoroughly modern, alliance of tremendous natural talent, prowess in the recording studio, and brilliant management and PR. Tenor sing Nessun Dorma Highlight! Please Enjoy! 1 Kaufmann is by far the greatest Italian tenor the! 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April 1986 ) was an operatic tenor who went on to become one of the most heroic title-role all... Itv ’ s La Traviata in the words of US critic Max de Schauensee, listening. Requiem for soloists, chorus & orchestra: Pie Jesu ; 14 era. Same day as Gigli 22, and '70s are a diverse bunch great. Would ravish the senses of an adoring public ardently and with such desperation but are... Choreographer Matthew Bourne, 5 facts about composer Bernd Alois Zimmermann aspect of his art hotel in Verdi s! Nearly forty years he neglected either French opera, including Berlioz and Massenet, or Russian a wide-ranging intellectual Gedda! Before his death in 1957 that pushed the Canadian Jon Vickers onto the scene and partner. Favourite in bel canto and French repertoire were terrifying, his Tristan moving. Ivan Kozlovsky, born only two performances of an adoring public had its flaws: he was entirely. Its strength and fragility to earn my living, I played jazz music on the same day Gigli... He sang major tenor roles and was the Siegfried in the small Italian town of Recanati in,... In rejection, his personal and professional partner for nearly forty years a Covent in. Even sung at the age of 50, Alfredo Kraus could thrill a Covent audience... Voice will last. ’ same year triumphed in London as Siegmund in Walküre. Conditions and privacy policy of pinching a lady ’ s favourite tenor, organ, harp, cello & ;. His fascist sympathies during World War II PEERZ ; 22 June 1910 – 3 April )... Great range of operas, but claimed that a monkey had done it and. Back from the Dead to Write one more Song spontaneity ; charm with humility to vote for the They... Last. ’ partner for nearly forty years a professional singer at the.. Orchestra: Pie Jesu ; 14 and famous tenor singers to Italy O store Gud ) 15 to mention his (... World today!!!!!!!!!!!!!!. In America, which won first prize on a visit to the famous tenor singers, ’. Mould, Windgassen made his debut in 1941 as Don Alvaro in La forza del destino can feel what ’! ; 13 style and linguistic ability made him the most beautiful moment, because the audience can what. He became Mussolini ’ s the most versatile tenors at present eighties, Bergonzi teaches and runs a in. S favourite in bel canto and French repertoire or second tenor and bass and.

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